Somewhat similar neo-Slavic bands like After Crying for the piano or Solaris for the deep. Of musical art, and if I were only commenting on that instrument I would compare it to Passionate, and pretty much flawlessly delivered. They actually end up sounding likeĪlvin & the Chipmunks though, and really detract from an otherwise appropriatelyīefore I go any further let me say that the piano throughout this album is gorgeous,
Underwater, though to what end I have no idea. Treated voices may have been intended to sound like they were being delivered Track, but also the most puzzling and out-of-place one on the record. Lengthy and rather odd “Underwater Sermon” which proves to be not only the longest The third ‘vision’ gets a bit muddled by the inclusion of the Seems to have structured his work into three sections following a lively prelude, andĮnding with a hymn and postlude that would probably fit into just about any properly John’s version of the final cataclysm included four distinct ‘visions’, while Loukianenko I don’t mean that as a criticism, but more as an Musical timbre of this album is about as related to John’s apocalypse as most ‘symphonic The work is supposed to be based on a rendition of John’s Revelation of theĪpocalypse, the final book in most Christian bibles. I’m not sure exactly what “other instruments” refer to beyond Loukianenko’s various Lines seem to be provided by the piano there are no discernable horns or stringsĪnywhere on the album and the guitar work is done by an uncredited contributor.
But all the percussion and drums are programmed tracks the other bass Russian Dimitri Loukianenko provides the arrangements, keyboards, and “other Or not, it’s hard to tell really.Īviva is pretty much the work of a solo artist, but one that is a little bit hard to classify. This is largely an unknown project as far as I can tell, but it may be a promising positiveĪddition to the future of progressive rock.
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